(Indaial-SC 1975)<\/span><\/p>\n Lives and works in Florian\u00f3polis, SC<\/span><\/span><\/span><\/p>\n Artist and professor in the Department of Visual Arts <\/span><\/span>at Centro de Artes<\/span> – Universidade do Estado de Santa Catarina – UDESC. Doctor (2011) and Master (2002) in Visual Arts at the Universidade Federal do Rio Grande do Sul – UFRGS. Selected <\/span>solo <\/b><\/span>exhibitions<\/b><\/span> include: <\/span>Asson\u00e2ncias de sil\u00eancios<\/i> (Museu de Arte de Santa Catarina, Florian\u00f3polis, 2011-2012); Entre a palavra p\u00eansil e a escuta porosa<\/i> (Memorial Meyer Filho, Florian\u00f3polis, 2011; Pinacoteca Bar\u00e3o de Santo \u00c2ngelo-UFRGS, Porto Alegre, 2011); Barulho, ru\u00eddo, rumor<\/i> (Funda\u00e7\u00e3o Cultural de Crici\u00fama-SC, 2009; Divis\u00e3o de Artes Pl\u00e1sticas – Casa Branca\/UEL, Londrina, 2010); Projeto secreto ] estadias inst\u00e1veis<\/i><\/span> (<\/span>Funda\u00e7\u00e3o Cultural de Crici\u00fama-SC, 2005); FORA [DO AR] <\/i>(MASC, Florian\u00f3polis, 2004); Lista de coisas brancas <\/i>(Espa\u00e7os SESC Florian\u00f3polis, Joinville, Chapec\u00f3, Blumenau, Lages, Xanxer\u00ea, Brusque, Tubar\u00e3o, 2004-2005); C\u00e9u regrav\u00e1vel <\/i>(Espa\u00e7o de Arte Contempor\u00e2nea 803 e 804, Florian\u00f3polis, 2003); Ru\u00eddos do branco <\/i>(Torre\u00e3o, Porto Alegre, 2002); Espa\u00e7os em branco <\/i>(Museu Victor Meirelles, Florian\u00f3polis, 2002); Esquecimentos<\/i> (MIS, Florian\u00f3polis, 1999); Anota\u00e7\u00f5es <\/i>(Casa A\u00e7oriana, Florian\u00f3polis, 1998). She participated in some <\/span>group exhibitions<\/b><\/span> such as: <\/span>Quando o tempo aperta<\/i> (Pal\u00e1cio das Artes, Belo Horizonte, 2016); 10<\/i>a<\/i><\/sup> <\/i>Bienal do Mercosul<\/i><\/span> – <\/span>Mensagens de Uma Nova Am\u00e9rica<\/i> (Usina do Gas\u00f4metro, Porto Alegre, 2015); <\/span>Singularidades\/Anota\u00e7\u00f5es – Rumos Artes Visuais 1998-2013<\/i> (Pa\u00e7o Imperial, Rio de Janeiro, 2015); Fic\u00e7\u00f5es <\/i><\/span>(Caixa Cultural, Rio de Janeiro, 2015); <\/span>Mostra Coletiva do Pr\u00eamio SESI CNI SENAI Marcantonio Villa\u00e7a<\/i> (MAC-USP-Ibirapuera, S\u00e3o Paulo, 2015); Lugar como Lugar<\/i>\u00a0(O S\u00edtio, Florian\u00f3polis, 2015), FRESTAS – TRIENAL DE ARTES<\/i><\/span> (SESC, Sorocaba, 2014); <\/span>Pela superf\u00edcie das p\u00e1ginas<\/i><\/span> (Espa\u00e7o Cultural Marcantonio Vila\u00e7a, Bras\u00edlia, 2014); <\/span>Here. Now. Where? – 5th Marrakech Biennial<\/i><\/span> (Saout\u00a0Radio, Marrocos, 2014); <\/span>IN-SONORA VIII – Muestra de Arte Sonoro y Interactivo<\/i><\/span> (Audit\u00f3rio do Museo Nacional Centro de Arte\u00a0Reina Sof\u00eda, Madri, 2014); <\/span>Papel de desenho<\/i><\/span> (SESC-SC, 2012-2014); <\/span>Fricciones – Encuentro de Pr\u00e1cticas Sonoras <\/i><\/span><\/span>(CasaViva, Santiago, Chile,<\/span><\/span> <\/i>2013);<\/span><\/span> Amaz\u00f4nia, Lugar da Experi\u00eancia<\/i><\/span><\/span> (Casa das Onze Janelas, Cinema Olympia, Bel\u00e9m, 2012); <\/span><\/span>Through the surface of the pages<\/i> (David Rockefeller Center for Latin American Studies, Harvard University, Boston, EUA, 2012); O desejo do verme<\/i> (Divis\u00e3o de Artes Pl\u00e1sticas – Casa Branca\/UEL, Londrina, 2012); In-Sonora – VI Muestra de Arte Sonoro e Interactivo<\/i> (Espacio Cruce, Madri, 2010); Trans\u00f3nica + In-Sonora<\/i> (Museo Olga Costa, Guanajuato, M\u00e9xico, 2010); Cadernos de Desenho<\/i> (MusA, Curitiba, 2010); In-Sonora – V Muestra de Arte Sonoro e Interactivo<\/i> (Studio Banana, Madri, 2009); estado-escuta \\ estado cegueira<\/i> (Casa das Onze Janelas, Bel\u00e9m, 2008); Arte Par\u00e1 2008<\/i> (MEP, Bel\u00e9m, 2008); Fiat Mostra Brasil<\/i> (Por\u00e3o das Artes – Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, Parque Ibirapuera, S\u00e3o Paulo, 2006); Entorno de opera\u00e7\u00f5es mentais<\/i> (Museu de Arte Sacra, Bel\u00e9m, 2006); Panorama da Arte Brasileira<\/i> (MAM, S\u00e3o Paulo, 2005); 15\u00ba Festival Internacional de Arte Eletr\u00f4nica Videobrasil<\/i> (SESC, S\u00e3o Paulo, 2005), among others. Has published the discs <\/span>Asson\u00e2ncias de sil\u00eancios<\/i><\/span> (2010), <\/span>FORA [DO AR]<\/i><\/span> (2004), <\/span>Lista de coisas brancas – coisas que podem ser, que parecem ou que eram brancas<\/i><\/span> (2001) and launches soon the sonorous publication <\/span>Mar paradoxo <\/i><\/span>(2014-2016). Co-edited the magazine<\/span> Recibo 33 com ru\u00eddo,<\/i><\/span> with Traplev, em 2011. <\/span>Pr\u00eamio Catarinense de Bolsas de Trabalho – Edital Elisabete Anderle de Est\u00edmulo \u00e0 Cultura \/ 2014 (with Helder Martinovsky), by Funda\u00e7\u00e3o Catarinense de Cultura, in 2015.<\/span><\/p>\n \/\/ \/\/ http:\/\/soundcloud.com\/raquelstolf<\/span><\/span><\/a><\/span><\/p>\n
\nI\u2019ve been researching intersections among <\/span><\/span>silence experiences<\/span><\/span> and writing processes <\/span><\/span>as well as proposals involving a <\/span><\/span>porous listening<\/i><\/span><\/span>,<\/span><\/span> in the production of artistic propositions, which can be unfold in installations, actions, interventions, videos, photos, texts, drawings and and sound publications.<\/span><\/span><\/span><\/p>\n
\nwww.raquelstolf.com<\/span><\/span><\/a><\/span><\/p>\n